Born in Dresden, she studied singing at the Mozarteum Salzburg with KS Prof. Elisabeth Wilke and graduated with honors. She has won several prizes and been a finalist in international competitions, including the Bach Competition in Leipzig.

She has been a member of the RIAS Chamber Choir since 2003.

In addition, she performs as a soloist with ensembles such as the Freiburg Baroque Orchestra, the Akademie für Alte Musik Berlin, the Lautten Compagney Berlin, the Winsbach Boys’ Choir (2024), the Kreuzchor Dresden, and the Thomanerchor and Gewandhaus Orchestra Leipzig, as well as an ensemble singer with Ensemble amarcord, Calmus, Opella Musica, and others.

Together with Ludwig Böhme and the Leipzig Synagogalchor, she is committed to the preservation and revitalization of secular and sacred Jewish music. This work was honored with the Obermayer German Jewish History Award in 2016.

Since 2021, she has been a member of the board of directors of the Neue Bachgesellschaft.

What fascinates you about singing?

What fascinates me about singing is that you can and must always say something about the text. There is no vocal music without meaning. Sometimes that’s a burden—then I envy the instrumentalists who can always play directly into the audience’s emotions and “just make music.” But most of the time, I see it as a great gift to be able to think my way into the lyrics, to penetrate them, and then to pass them on with conviction.